When a woman dresses, she chooses strategically what to wear every day. But not every day they feel the same way, not everyday they are the same person, and this also influences the way they dress, especially when it comes to underwear.

Women use underwear as a seduction weapon, like a well-guarded treasure that only few will be able to discover and therefore the appearance of their panties and bras are extremely important. But different types of women use different types of lingerie. A tough woman dresses differently than a woman who wants to call attention of men on the street, or than a woman who stays all day at home and is a little depressed. The colors of women’s underwear have a lot to do with their self-esteem.

A Research was conducted on this subject at the University of Leicester in the UK, as well as in other countries in the world. Some interesting conclusions of these studies are already helping changing women’s attitudes towards their underwear.

The classic underwear colors (white, black and red) are the most commonly used and each has a special meaning, but other colors are also very interesting to evaluate: calm and classy women, for example, wear blue. Happy and very lively women wear yellow or orange and very feminine women prefer pink.

But let’s return to the classic white. White is worn by natural and innocent women, those women who feel clean, pure and in balance with themselves. Men really like this color, because in the summer, it contrasts with the tan color of the skin of the ladies and that drives them crazy.

Black, especially the cotton ones, is worn by women who do not feel quite good about themselves. The color of mystery can be quite provocative in lace panties or thongs.

And finally red, the color of passion is worn by audacious, hot women. Red shows a highly secure self-esteem, a woman who has much confidence in herself, and a lady who is not ashamed of her body and is willing to have fun.

This information can be very useful for men to get to know what kind of women are they dealing with, for women this is also important, because they can use underwear as therapy to improve their self-esteem. If you dare to go out with a hot red, surely you will have a better day at work although nobody apart of you should know what color she wears.

d.b

If you rent apartments in Milan you will have the chance to wear your best underwear, look prettier, feel beautiful and desired. You have to change those big, baggy panties you wear at home for the sexiest lingerie you can find in Milan.

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Translated by: Hans
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In the increasingly populated contemporary art world, photography continues to be one of the languages which young artists prefer to use. In the show “The Water of Chemistry,” which opens on the 7th July at the Click Gallery in Milan, will be a collection of works highly focused on the idea of attention to detail – something which fast paced modern life tends to neglect – and which photography hopes to bring back.

Mario Washington is a young Italian artist born, living and working in Milan. Like many today, he studied rights, and started to devote himself to photography in 2006. Two years later, he decided to move to New York, the global center of contemporary art to do an internship at the Bruce Silverstein Gallery, where he learned the techniques to hone his own artistic style.

Upon returning to Italy, he participated in the fourth edition of “Premio Arte Laguna” (Venice 2009), and exhibited the same year with the show “Nocturno Metafísico” at the Click Gallery. His first one man show, “The Water of Chemistry” took place between the 7th-27th of March 2011 at the civic aquarium in Milan, and on the 7th of July, the show opens at the Click Gallery – with which he now has an established relationship.For more information visit: www.clickgallerymilano.com

Washington decided to dedicated himself to photographing landscapes, nature, and a kind of “dead nature,” made from urban detail and artificial illumination. He is always in search of new ways to manipulate light, whereby colour (which are sometimes almost psychedelic) contrast, forming a spectral image upon whichever panorama he chooses. His aim could be described in the words of William Gibson; to “photograph what is not there.” Gibson was the godfather of “cyber-punk” literature, who in the story “The Continuum of Gernsback” places one of his characters in front of a building for whole hours, waiting for the light to develop, or disappear.

In Washington’s photographs there is a powerful sense of silence. He encourages the spectator to learn to look at the details, and see something which can only achieved through photography.

In “The Water of Chemsitry,” water is studied through its numerous manifestations, and physical states, captured in 30 photographs, which show its extreme versatility, as well as its corrosive, destructive powers, and how it can slowly penetrate any material, and change any shape with time.

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If you’d like to see this show, and find out if the artist has achieved his goal, we suggest you rent apartments in Milan and enjoy a weekend dedicated to art, in a city full of contemporary spaces.

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Translated by: Poppy
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Who hasn’t heard someone say: I’m not fashion! Or contrarily, I will die If i’m not dressed fashionably!, But there are cases in which this obsession literally kills or leaves permanent damage to the person, and we are not talking exclusively about mental health.

This may seem absurd but has been happening since the stone age, but who’s to blame?. Some cultures have fabricated real horrors with the bodies of its citizens especially women that to be attractive have been subjected to atrocities and unbearable pain in order to please the members of the opposite sex, and we are not  only talking about gaining or losing weight, but to deform their bodies with inhumane torture to become compliant with specific standards of beauty that most cases are based on physical deformities, the more distorted, more beautiful they are.

Until recently the corset was the most elegant and seductive sexy item  that a woman could wear  to enhance her  curves and look like a wasp, hence the phrase have a wasp waist, but how many back injuries and malformations did this sinister device for male pleasure cause ? Fortunately not all women had to wear it,  but in some cultures being born a women implies not being able to choose. For example, the giraffe women, who belong to a tribe called the Karen in the Burma border, where if you are lucky to be born on a full moon on Wednesday you are “granted” the privilege of extending you neck with rings throughout your entire life . When they are weaned, they begin to put a thick ring around your neck to make it stretch, in adulthood, your neck is three times longer than the  normal ones and yes, are very respected, but also you can suffer brutally. If they commit adultery, her husband takes off the neck rings and the women dies instantly form a neck fracture by not having muscles in that area.

In the Chinese culture, in the past  a tiny foot was a tremendously beautiful and above all elegant sign in  a Chinese woman. Today it is still somewhat anti female to be born with a large size feet in the world.  Before the beauty of small feet was sought  and handkerchiefs were  tied to the toes and strongly wrapped around  the foot bridge reaching the heels to prevent growth so they can fit small-sized shoes. The feet were deformed but simply not appreciated due to the tiny shoes

Today it is fashionable to wear size 36 and anorexia is  leaving a large footprint in this absurd fashion for a few, when we think that in the world there are three billion women, and only about twenty are super models. This should make us think before we mistreat our bodies by a canon of beauty that only a few dictate. We all have freedom of choice. So don’t be ridiculous.

Isabel Pérez

Therefore, if you want to enjoy your natural or unnatural beauty rent apartments in Milan The city of fashion, beauty, culture and body care.

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Translated by: Marc
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Until the 19th of June, the Palazzo Reale is holding exhibition Impresionista: Capolavori della Clark Collecction, a collection of 73 art works belonging to the Sterling & Francine Clark Art Institute of Massachussets, which includes the French artists of the 19th century; Pierre Auguste Renoir, Claude Monet, Edgar Degas, Édouard  Manet, Berthe Morisot, Camille Pissarro, Pierre Bonnard, Carot, Gauguin, Millet, Sisley; Toulouse Lautrec, Bouguereau, and Gérôme, amongst others.

Milan is the first stop in a two year tour of various different European countries for the Institute’s impressionism collection. The show focuses on the innovation of the artistic style, particularly in the manipulation of light in neo-classical painting, as seen in each and every 19th century painting selected for the exhibition.

Impressionism developed in the second half of the 19th century, when Louis Leroy wrote a review of the work Impresión: soleil levant (1872) by Claude Monet, remarking that “upon viewing the piece, I thought my spectacles were dirty. What was this canvas representing? The painting didn’t have a top nor bottom…Impression! There was impression…A mere sketch is more complete than this seascape.” The term for the art movement was thereby coined – an art movement which sought to break from classicism and pursue a kind of freedom over traditional beauty.

Natural light, lanscapes, and nature would come to be the source of inspiration for impressionist paintings. A precursor of this artistic current was Édouard Manet, whose works Breakfast on the grass and The bar of Folies-Bergère demonstrates a play with light, as well as more loose, free brushstrokes which didn’t seek to hide the canvas or the materials – features which would come to define impressionism.

The appearance of new art materials and pigments, a product of advances in industry, would be highly instrumental in the new styles and tones of oil paintings, bringing a deeper purity of colour, more shades and colour saturation, which up until then, had been impossible to achieve. This experimentation with saturation would also be adopted by the Fovists, who would place emphasis on the free, extreme use of colour – as seen in the work of Henri Matisse.

There may not be a specific aesthetic concept which unifies impressionism, there are certain patterns which go beyond the working of light, colour and technique. Degas is the most complex painter – a perfectionist of the movement. Monet, as a founder of the impressionist movement expressed certain codes of colour and light in his paintings. Manet continued to be a studio painter, so his paintings don’t have the freshness of other impressionists.

For more information http://www.impressionistimilano.it/

Nancy Guzman

It’s very rare to get the chance to see great art works like these together. If you are renting one of the apartments in Milan don’t forget to go down to the Palazzo Reale and find out all about the Impressionist movement.

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Translated by: Poppy
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Until the 12^th of June, the Palazzo Reale in Milan presents the exhibition Alberto Savinio. The Comedy of Art dedicated to the poetic world of the Italian painter. The exhibition is organized around four main themes: painting, myth, comedy and theater, is curated by Vicenio Trione and consists of 100 art pieces that pay a deserved tribute to the eclectic work of Savinio.

Andrea Francesco Alberto de Chirico, better known as Alberto Savinio, was born in Athens, Greece in 1891. Son of Italian parents, from his youth, he had a special talent for art and critical thinking influenced by the admiration of classical Greek culture, that had developed by reading Greek philosophers. At the age of 12 he graduated from the Athens Conservatory of Music in piano and musical composition. Two years after the death of his father, he made his first composition, a Requiem in his father’s memory.

Due to the death of his father, he returned with his family to Italy and then moved to Munich. City in which he devoted himself to further training in music and composed Carmela, his first opera in three acts, which was praised by critics.

In 1911 he moved to Paris, the center of the artistic vanguard and the major theoretical debates of the time. There he joined Avant Garde and immediately established friendship with the influential writer and poet, Guillaume Apollinaire. Just as with well-known writers and artists such as Pablo Picasso, Fernand Leger, Jean Cocteau and Max Jacob.

Curious and creative, he came in contact with theatrical arts and ventured into the pantomime, because he considered it a complex and complete expression of performing arts. During those years he adopted the pseudonym of Alberto Savinio to make a difference with his brother Giorgio de Chirico. Savinio founded the musical movement Sincerismo (Sincerism), which basically abandoned polyphony and harmony to focus in rhythm and musical dissonance.

Although his musical production had great success, he ventured into poetry by joining the surrealist movement. Les Chant of la mi-mort was considered a foundational work of the surrealist poetry. In the 20′s he wrote his novel Tragedy of Childhood and The Haunted House, while started working in theater by writing plays with enormous success. In 1926 he returned to Paris and began painting, next year after that, had his first exhibition at Bernheim, which was presented by Cocteau. Theoretical debates and political convulsions of the time kept him away from Paris and the Surrealists, despite that, he continued to maintain friendly relations with André Breton and some other surrealists.

In 1933 he returned to Italy and devoted himself to writing, to theater and to journalism in the magazines Broletto and Colonna. He also devoted part of his time to graphic work.

Savinio was a renaissance man of the twentieth century; he worked with passion in all arts and lived the passion of a time of theoretical changes.

He died in 1952 after making his last job of staging La Opera Armida by Gioachino Rossini.

For more information http://www.mostrasavinio.it/

Nancy Guzman

If you’re resting in apartments in Milan you have to visit the exhibition La Comedia del Arte, surely you’re going to approach a life dedicated to the creation and beauty.

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Translated by: Hans
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From where do we get the idea that fashion is frivolous? When was this idea imposed to us? The truth is, that along with the contemporary art evolution of the last thirty or more years, graphic designers, architects, decorators and, of course, fashion designers have been willing to take risks and venture into “the conceptual”: the idea over the object. And the results are clearly the most interesting, especially in the visual media like: Internet, television and magazines. The Fondazione Prada in Milan, founded of course by the Italian fashion label Prada, was created in the nineties in order to encourage interaction between art, fashion, architecture and design. In addition to various publications and activities, the Fondazione presents innovative exhibitions of contemporary art as: “Ex Limbo”.

This, exhibition presents materials that are commonly used in fashion shows but in a different way; from their useless or obsolete condition. The starting point of this project is the curiosity about the materials used; the reasons for which they have been preserved and how they have been used in practice. The Rotor’s work is to draw attention concerning the waste of our world, which after a significant splendor has been pushed aside and left in limbo, inviting people to have a second look at this forgotten fact. Fogazzaro exhibition space of Fondazione Prada presents a maze of elements that shows all the job included in the production of fashion shows.

The forms, presented in this exhibition, reveal structures and effects, as well as movement of materials that reject the definition of “things” like: “waste” or “rubbish”, shown as forms of knowledge through the sensory. Bordering the archeology of recent fashion world. This archeology from season to season shows industrial and architectural ruins that retain the essence of the style of what happened on the staging, giving us the opportunity to evaluate the chaotic, ruined, degraded and how lapses and re-emerges as a conceptual “Duchamp” gesture, in the world of design and architecture. Imagine a new Milan fashion geography locked in a gallery: wood, metal frames, mirrors and walls, polyethylene seats; waste conceptual of the fashion production.

About Rotor, I can tell you that this group was founded in 2005 in Brussels. Its members are Tristan Boniver, Lionel Devlieger, Maarten Gielen, Michael Ghyoot, Benjamin Lasserre and Melanie Tamm. Their main interest of conceptual work is focused on industrial materials and construction. On a practical level, Rotor is dedicated to the conceptualization and design of architectural projects. For more information, visit the website of Rotor http://rotordb.org/ and, of course, the website of the Fondazione Prada, Milan http://www.fondazioneprada.org/

SISTER RAY

What you should do is to get apartments in Milan and see this show by yourself. It will surely change your perspective about fashion and architecture, and show you how any building material always has a story that touches us all.

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Translated by: Hans
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I am increasingly beginning to believe that the true vanguard is in the breaking of sexual gender – the deconstruction of the moral norms, and the manipulation of the body as an agent of political ends. The diffusion of these expressions is crucial if we are to acknowledge that these are times which need change. The margin between the masculine and the feminine changes at the pace of a tortoise, or so it sometimes seems. Lesbian and gay art has been with us since the beginning of time – I don’t understand why we are still having problems.

It’s not the case in Milan at least. Since 1985, Festival Mix Milan has been the only event in Milan for the public promotion of gay and lesbian cinema, becoming one of the most-attended events in Italy. The 2010 edition was an all round success – eight days of screenings and events, with electronic music, for which over 20,000 people participated. The festival is gaining more and more of a media presence – radio, television, the web and press are all covering the event, attracting the attention of specialists, journalists and professionals alike.

As well as the projections during the festival, there are open electronic music events, and book and magazine events and discussion panels. The festival covers feature lengths, shorts and documentary; both Italian and international. You only need to glance at the previous programmes to see how multicultural the project is, and how unafraid it is to “come out of the closet” in order to represent itself the best it can. Occasionally, where I live you can sense the horror towards the gay community and it’s just exasperating – intolerance is an ancient joke.

Milan is in full swing of Spring as the festival takes place, which is perfect for going out into the street between films and concerts and having some fun. People have always spoken to me about the hassles of Milan, the character of the people, its streets – but don’t believe a word of what people tell you. Obviously, it is Italy’s fashion capital – and don’t expect anything less. But like any metropolis, it is multicultural and full of life – maybe not as much as London, but you’ll find all kinds of people, guaranteed. The festival is at the Strehler del Piccolo Theatre in Milan. The official is currently down but check out the Facebook page here: http://www.facebook.com/group.php?gid=81469351021&v=wall

SISTER RAY

Get hold of apartments in Milan and be a part of this festival – there’s no better way to get involved with the gay community than through art. Learn about how limiting it is to be categorised according to sexuality – this is 2011, and life’s changing – especially in Milan.

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Translated by: Poppy
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From the 12th until the 15th of May, Milan will be host to the first edition of MIA; the “Milan Image Art Fair,” – an event solely dedicated to photography and video art, curated by Fabio Castelli. Is this just another art fair like so many others, which seem to favour quantity over quality? In the face of so many cultural offerings (or so-called) organised in Milan each year, MIA promises to be something different – and the hope is that it will keep its promise.

As the event organisers assert, the spectator won’t be made to wander aimlessly amongst the crowds, because at this fair, each stand will be an independent exhibition in its own right – by one particular chosen artist. Nothing like a “bazaar” then, or the random piling of artworks into a small space, putting off potential buyers. Each stand is its own show, helping a clear understanding of each artist and their work as individual – something which is increasingly hard for those not used to it. In Italy moreover, there continues to a certain resistance from audiences towards this sort of approach to viewing art – with a still prevalent attitude of “a five year old could have done that.” Such a response makes sense if we consider the cultural heritage of the country, and the fact that in schools, art is still referred to as “Fine Art.”

Fabio Castelli, the mastermind behind MIA, claims that Italy – and by extension, the whole world – needs a new, specific education for understanding and appreciating the new forms and aesthetics of art. Contemporary works, incomprehensible using the old codes, require new methods, more skills of observation, and the ability above all to overcome any prejudices towards how they were made: that is, not to judge a piece of art solely on its technical mastery. Indeed, in the contemporary art world, there is a noticeable regression (not necessarily in the negative sense of the world) towards the minimal – and the appreciation of the small.

The art fairs of today have the hard task of being educative, and bringing about an understanding – and this this seems to be the main objective of MIA, which will take place at “Superstudio Piú” on Tortuna street, 27.

For more details visit www.miafair.it

menschauser

If you’re curious to see how this new event goes, you can rent apartments in Milan and get involved with the new “scene.”

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Translated by: Poppy
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Caravaggio painted mainly paintings with religion related issues to but their work opportunities were rejected first by the realism and then by the choice of the models he did. Instead of choosing beautiful and aristocratic people he most often chose prostitutes, children living on the street or homeless.

Even Caravaggio often rejected the request of his customers to correct the imperfections of their models. He began to pay a lot more attention to realism of his paintings and he said no to the request of the church to paint the most perfect angels. A clear example is the work of St. Matthew and the Angel. At first this painting had been rejected by the sensuality that the angel showed and also the dirt that was on his feet.

The play “The Eyes of Caravaggio. His formative years between Venice and Milan” will be held in Milan until July 3 and you will enjoy more than 60 works.

The piece that has caused the Italian artist many problems and controversy was The Death of the Virgin, in which the Virgin Mary is depicted dead with a swollen stomach. This painting was so realistic that there were rumors the model for the piece was the cadaver of a prostitute that had drowned.

For more information: http://www.museodiocesano.it/iniziativa.asp?id=777&Categoria=1&TipoEvento=1&sez=3&link=11

Museo Diocesano: Corso di Porta Ticinese, 95, 20123 Milan, Italy

MiLK

Art lovers can now admire one of the most important artists of all time and rent apartments in Milan to do so, because the exhibition titled “The eyes of Caravaggio. His years of training between Venice and Milan” takes place here at the Diocesano Museum until July 3rd. More than 60 works that mark Caravaggio’s training and career are exhibited.

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Translated by: Maria
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Justin Bieber was born in Canada in ’94 – and at just 16 years old has become one of the biggest teen stars of all time. But his path to superstardom was an unusual one.

In 2008 a music industry executive called Scooter Braun saw a Youtube video on Google of the young Justin singing and dancing, and decided to become his manager.

Braun was an associate of singer Usher, and together they formed the company Raymond Braun Media Group. Bieber signed a contract with the company, as well as with record label Island Records.

In 2009, the singer released the single “One Time,” which quickly became a smash hit, topping the charts in more than a dozen countries. His first record “My World” not only sold incredibly well, but Bieber also became the first artist with a debut record with seven singles to be included in the Billboard Hot 100.

Bieber’s first studio album, “My World 2.0” was released at the start of this year, with single release “Baby” played all round the world, and remixed by numerous DJs.

More information: http://www.forumnet.it/sito/schedaforum.php?id=1432&setpal=1

Forum: Via G. Di Vittorio, 6, 20090 Assago, Milan, Italia

MiLK

Bieber has received countless awards and nominations, and won The Artist Of The Year at last year’s American Music Awards. This pop phenomenon comes to Ialy to play a show in Milan’s Forum on the 9th of April. So if you want to go and see one of the worlds biggest young stars, you can rent apartments in Milan and discover Justin Bieber.

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Translated by: Poppy
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